{"id":1951,"date":"2025-12-18T07:58:34","date_gmt":"2025-12-18T07:58:34","guid":{"rendered":"https:\/\/theartsgazette.com\/?page_id=1951"},"modified":"2026-06-21T12:42:54","modified_gmt":"2026-06-21T12:42:54","slug":"reviews","status":"publish","type":"page","link":"https:\/\/www.theartsgazette.com\/index.php\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"

[vc_row el_class=”Review_row”][vc_column]

Reviews<\/h1>\n<\/div><\/div>
<\/div>
\n
<\/div>
\n
\n \n \"Uttam <\/a>\n \n
\n
Reviews<\/a><\/div>\n Mahanayak Uttam Kumar: An Actor Sans Frontiers<\/a>\n
\n Atri Mallick<\/a><\/span>\n September 19, 2026<\/span>\n <\/div>\n
\n

An exhibition in New Delhi marking the centenary of Mahanayak Uttam Kumar evokes nostalgia of the golden period of cinema in West Bengal<\/p>\n <\/div>\n <\/div>\n <\/div>\n

<\/div>\n <\/div>\n
\n
\n \n \"Latika <\/a>\n
\n
Reviews<\/a><\/div>\n Latika Katt\u2019s Final Act: A Masterstroke As Always<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n September 13, 2026<\/span>\n <\/div>\n
\n

The recently concluded show of Latika Katt\u2019s final works, \u2018Abandoned\u2019 at Threshold Gallery, presented powerful works by the late artist known for the gravitas and conviction of her sculptures<\/p>\n <\/div>\n <\/div>\n <\/div>\n

<\/div>\n <\/div>\n
<\/div>\n
\n
\n \n \"An <\/a>\n
\n
Reviews<\/a><\/div>\n An Abstractionist\u2019s Ode to His Rich, Native Landscape<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n September 2, 2026<\/span>\n <\/div>\n
\n

Rafique Shah\u2019s ongoing solo brings focus on the wealth of abstractionist language emerging from Madhya Pradesh<\/p>\n <\/div>\n <\/div>\n <\/div>\n

<\/div>\n <\/div>\n
<\/div>\n
\n
\n \n \"Afzal <\/a>\n
\n
Reviews<\/a><\/div>\n Afzal Pathan: A Modern Master Who Deserved Better<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n August 26, 2026<\/span>\n <\/div>\n
\n

Afzal Pathan has remained an unheralded artist, whose brilliance should have dazzled the world in his own lifetime<\/p>\n <\/div>\n <\/div>\n <\/div>\n

<\/div>\n <\/div>\n
<\/div>\n
\n
\n \n \"\" <\/a>\n
\n
Reviews<\/a><\/div>\n The World View of Gond Pradhans<\/a>\n
\n V Jayakumar<\/a><\/span>\n June 21, 2026<\/span>\n <\/div>\n
\n

An ongoing exhibition of indigenous art from Madhya Pradesh brings focus on current trends in this centuries\u2019 old art<\/p>\n <\/div>\n <\/div>\n <\/div>\n

<\/div>\n <\/div>\n
<\/div>\n <\/div> <\/div>\n
<\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row el_class=”Review_row”][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1951","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/1951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=1951"}],"version-history":[{"count":5,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/1951\/revisions"}],"predecessor-version":[{"id":2585,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/1951\/revisions\/2585"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=1951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}