{"id":2436,"date":"2026-01-24T10:38:56","date_gmt":"2026-01-24T10:38:56","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?page_id=2436"},"modified":"2026-06-21T08:24:38","modified_gmt":"2026-06-21T08:24:38","slug":"authstorys","status":"publish","type":"page","link":"https:\/\/www.theartsgazette.com\/index.php\/authstorys\/","title":{"rendered":"authstorys"},"content":{"rendered":"

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Story<\/a><\/div>\n Substance & Drama Were Two Sides of the Same Coin for M. F. Husain<\/small><\/a>\n
\n theartsgazette<\/a><\/span>\n June 11, 2026<\/span>\n <\/div>\n
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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