{"id":36,"date":"2017-02-18T08:27:14","date_gmt":"2017-02-18T08:27:14","guid":{"rendered":"http:\/\/wordpressmu-197386-939155.cloudwaysapps.com\/?page_id=36"},"modified":"2026-06-22T19:29:11","modified_gmt":"2026-06-22T19:29:11","slug":"home","status":"publish","type":"page","link":"https:\/\/www.theartsgazette.com\/","title":{"rendered":"Home"},"content":{"rendered":"

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Latest<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fnews%2F|title:News”]
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News<\/a><\/div>\n David Hockney, Britain\u2019s Most Influential Artist, Passes On<\/small><\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n June 19, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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News<\/a><\/div>\n The Met, NY, Brings Focus on Prints of Hindu Gods in Household Shrines<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n Chinese Dissident Artist Ai Weiwei\u2019s First Solo in India<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 15, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n Kochi Biennale Co-Founder Leaves The Show<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 14, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n 6th Edition of Kochi Muziris Biennale Opens on December 12<\/a>\n \n\t\t\t
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At KMB, modern and contemporary art showcase weaves into the rich maritime history of the venue which was a global melting pot for millennia <\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n December 11, 2025<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”]
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Art Market<\/a><\/div>\n The Rise and Rise of Ganesh Pyne<\/small><\/a>\n
\n June 27, 2026<\/span>\n <\/div>\n
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Art Market<\/a><\/div>\n Raja Ravi Varma is the Flavour of the Auction Season<\/a>\n \n\t\t\t
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n \t\t\t

\n Archana Khare Ghose<\/a><\/span>\n June 24, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n First Written Document on India\u2019s Colonisation Appears at Auction<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 21, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n \u2018Yashoda and Krishna\u2019 Marks The Return of The Native To Top List at Auctions<\/a>\n \n\t\t\t
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n \t\t\t

\n Archana Khare Ghose<\/a><\/span>\n June 19, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n Indian Art Market\u2019s Love for the 1950s-1960s<\/a>\n \n\t\t\t
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 24, 2025<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Reviews<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”]
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Reviews<\/a><\/div>\n The World View of Gond Pradhans<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n June 21, 2026<\/span>\n <\/div>\n
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Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Reviews<\/a><\/div>\n Paper That Flows Into Shapes Known and Unknown<\/a>\n
\n theartsgazette<\/a><\/span>\n November 22, 2025<\/span>\n <\/div>\n
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Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”]
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Story<\/a><\/div>\n Substance & Drama Were Two Sides of the Same Coin for M. F. Husain<\/a>\n
\n theartsgazette<\/a><\/span>\n June 11, 2026<\/span>\n <\/div>\n
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n
\n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”]
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Around Town<\/a><\/div>\n New Delhi \/ Afzal Pathan\u2019s Solo Show<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n June 23, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n
\n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
\n theartsgazette<\/a><\/span>\n January 20, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Around Town<\/a><\/div>\n Bengaluru \/ Bharathesh G. D.\u2019s Pain Corporation of India<\/a>\n
\n theartsgazette<\/a><\/span>\n January 15, 2026<\/span>\n <\/div>\n
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The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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[vc_row el_class=”Home-sections”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fnews%2F|title:News”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Home-sections”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column][vc_btn title=”READ ALL” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":38,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":2600,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions\/2600"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}