Latest<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fnews%2F|title:News”] \n \n \n\n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/1.-News-Murugan_by_Raja_Ravi_Varma-537x307.avif\")
<\/a>\n \n News<\/a><\/div>\n The Met, NY, Brings Focus on Prints of Hindu Gods in Household Shrines<\/small><\/a>\n \n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/2a.-News-Ai-Weiwei-at-IAF-183x96.avif\")
<\/a>\n \n\t\t\t News<\/a><\/div>\n Chinese Dissident Artist Ai Weiwei\u2019s First Solo in India<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n January 15, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/3.-News-Bose-Krishnamachari-183x96.avif\")
<\/a>\n \n\t\t\t News<\/a><\/div>\n Kochi Biennale Co-Founder Leaves The Show<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n January 14, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2025\/12\/Cube-Arts-Space_-Mattancherry-183x96.avif\")
<\/a>\n \n\t\t\t News<\/a><\/div>\n 6th Edition of Kochi Muziris Biennale Opens on December 12<\/a>\n \n\t\t\t \n At KMB, modern and contemporary art showcase weaves into the rich maritime history of the venue which was a global melting pot for millennia <\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n December 11, 2025<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2025\/12\/Nnena-Kalu-183x96.avif\")
<\/a>\n \n\t\t\t News<\/a><\/div>\n British Artist Nnena Kalu Wins Turner Prize 2025<\/a>\n \n\t\t\t \n Kalu, of Nigerian origin, is the first person with a learning disability to win the prestigious prize.<\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n December 10, 2025<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n <\/div>\n <\/div>\n \n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Home-sections”][vc_column]ArtMarket<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”] \n \n \n\n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2025\/01\/gs-537x307.jpg\")
<\/a>\n \n Art Market<\/a><\/div>\n Indian Art Market\u2019s Love for the 1950s-1960s<\/small><\/a>\n \n January 24, 2025<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/2.-Rabindranath-Tagore-at-AstaGuru-183x96.avif\")
<\/a>\n \n\t\t\t Art Market<\/a><\/div>\n Tagore\u2019s 1937 work fetches Rs 10.7 cr, becomes his most expensive.<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n Archana Khare Ghose<\/a><\/span>\n January 20, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/3.-Art-Market-January-20-Colonisation-account-183x96.avif\")
<\/a>\n \n\t\t\t Art Market<\/a><\/div>\n First Written Document on India\u2019s Colonisation Appears at Auction.<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n January 21, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n <\/div>\n <\/div>\n \n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Review<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”] \n <\/div> \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2025\/11\/Ravi-Kashi-1-820x394.avif\")
<\/a>\n \n \n Review<\/a><\/div>\n Paper That Flows Into Shapes Known and Unknown<\/a>\n \n theartsgazette<\/a><\/span>\n November 22, 2025<\/span>\n <\/div>\n \n Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”] \n <\/div> \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/Story-Tyeb-Mehta.avif\")
<\/a>\n \n \n story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n \n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”] \n <\/div> \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/1.-Around-Town-Jodhaiya-Bai-Baiga-750x394.jpg\")
<\/a>\n \n \n Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n \n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n \n \n \n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/3.-Around-Town-January-20-Chatterjee-and-Lal-394x218.avif\")
<\/a>\n \n Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
<\/a>\n At KMB, modern and contemporary art showcase weaves into the rich maritime history of the venue which was a global melting pot for millennia <\/p>\n <\/div>\n \t\t\t
<\/a>\n Kalu, of Nigerian origin, is the first person with a learning disability to win the prestigious prize.<\/p>\n <\/div>\n \t\t\t
ArtMarket<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”] \n \n \n\n \n \n <\/a>\n \n Art Market<\/a><\/div>\n Indian Art Market\u2019s Love for the 1950s-1960s<\/small><\/a>\n \n January 24, 2025<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div> \n <\/div>\n \n \n \n <\/a>\n \n\t\t\t Art Market<\/a><\/div>\n Tagore\u2019s 1937 work fetches Rs 10.7 cr, becomes his most expensive.<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n Archana Khare Ghose<\/a><\/span>\n January 20, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n \n \n \n <\/a>\n \n\t\t\t Art Market<\/a><\/div>\n First Written Document on India\u2019s Colonisation Appears at Auction.<\/a>\n \n\t\t\t \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
\n theartsgazette<\/a><\/span>\n January 21, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n <\/div> \n <\/div>\n <\/div>\n <\/div>\n \n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Review<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”] \n <\/div> \n \n \n <\/a>\n \n \n Review<\/a><\/div>\n Paper That Flows Into Shapes Known and Unknown<\/a>\n \n theartsgazette<\/a><\/span>\n November 22, 2025<\/span>\n <\/div>\n \n Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”] \n <\/div> \n \n \n <\/a>\n \n \n story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n \n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”] \n <\/div> \n \n \n <\/a>\n \n \n Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n \n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n \n \n \n <\/a>\n \n Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
<\/a>\n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n \t\t\t
Review<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”] \n <\/div> \n \n \n <\/a>\n \n \n Review<\/a><\/div>\n Paper That Flows Into Shapes Known and Unknown<\/a>\n \n theartsgazette<\/a><\/span>\n November 22, 2025<\/span>\n <\/div>\n \n Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”] \n <\/div> \n \n \n <\/a>\n \n \n story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n \n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”] \n <\/div> \n \n \n <\/a>\n \n \n Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n \n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n \n \n \n <\/a>\n \n Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
<\/a>\n \n Bengaluru-based Ravi Kashi squeezes paper out of a tube to create iconic works<\/p>\n <\/div>\n <\/div>\n <\/div>\n
Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”] \n <\/div> \n \n \n <\/a>\n \n \n story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n \n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n <\/div> <\/div>\n <\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”]<\/div>[vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column]Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”] \n <\/div> \n \n \n <\/a>\n \n \n Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n \n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n \n \n \n <\/a>\n \n Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
<\/a>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”] \n <\/div> \n \n \n <\/a>\n \n \n Around Town<\/a><\/div>\n New Delhi \/ A Retrospective of Jodhaiya Bai Baiga<\/a>\n \n theartsgazette<\/a><\/span>\n January 23, 2026<\/span>\n <\/div>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/div>\n <\/div>\n \n \n \n <\/a>\n \n Around Town<\/a><\/div>\n Mumbai \/ Azal Se Abad Tak: A Journey Between Two Entities<\/a>\n
<\/a>\n \n The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n <\/div>\n <\/div>\n <\/div>\n
<\/a>\n ![\"\"](\"https:\/\/www.theartsgazette.com\/wp-content\/uploads\/2026\/01\/2.-Around-Town-Bharathesh-GD-394x218.avif\")
<\/a>\n