{"id":36,"date":"2017-02-18T08:27:14","date_gmt":"2017-02-18T08:27:14","guid":{"rendered":"http:\/\/wordpressmu-197386-939155.cloudwaysapps.com\/?page_id=36"},"modified":"2026-08-26T21:21:34","modified_gmt":"2026-08-26T21:21:34","slug":"home","status":"publish","type":"page","link":"https:\/\/www.theartsgazette.com\/","title":{"rendered":"Home"},"content":{"rendered":"

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News<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fnews%2F|title:News”]
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News<\/a><\/div>\n An Art Heist Again, This Time It’s Renoir<\/small><\/a>\n
\n TAG Bureau<\/a><\/span>\n September 11, 2026<\/span>\n <\/div>\n
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Two paintings by the impressionist artist Pierre-Auguste Renoir have been\r\nstolen from a museum in the south of France<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n \"Kalo <\/a>\n
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News<\/a><\/div>\n Exclusive: \u2018Kalo\u2019r Dokan\u2019 at Santiniketan to Get A New Life<\/a>\n \n\t\t\t
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The tea shop existed since the times of Rabindranath Tagore, and will now appear in a revitalized avatar at the 2nd Bengal Biennale<\/p>\n <\/div>\n \t\t\t

\n Archana Khare Ghose<\/a><\/span>\n August 30, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n David Hockney, Britain\u2019s Most Influential Artist, Passes On<\/a>\n \n\t\t\t
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The celebrated British artist was one of the most important figures in contemporary art in the 20th and 21st centuries<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n June 19, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n The Met, NY, Brings Focus on Prints of Hindu Gods in Household Shrines<\/a>\n \n\t\t\t
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The exhibition, opening on January 24, 2026, presents chromolithographic prints of Hindu gods and goddesses from pioneering printing presses\r\n<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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News<\/a><\/div>\n Chinese Dissident Artist Ai Weiwei\u2019s First Solo in India<\/a>\n \n\t\t\t
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The show, titled 'Ai Weiwei', opened at Nature Morte, New Delhi, on January 15<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 15, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”]
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Art Market<\/a><\/div>\n September 2026: What\u2019s Hot At Auctions This Season<\/small><\/a>\n
\n Srishti Desai<\/a><\/span>\n September 7, 2026<\/span>\n <\/div>\n
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Works by Gaitonde, Souza and Dhurandhar appear with the highest estimates, pegged at Rs 12 crore \u2013 Rs 18 crore<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Art Market<\/a><\/div>\n The Rise and Rise of Ganesh Pyne<\/a>\n \n\t\t\t
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Over the past few years, Ganesh Pyne has slowly become part of the haloed group of artists that command the Indian art market<\/p>\n <\/div>\n \t\t\t

\n Archana Khare Ghose<\/a><\/span>\n June 27, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n Raja Ravi Varma is the Flavour of the Auction Season<\/a>\n \n\t\t\t
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At the latest AstaGuru auction held on June 22-23, Raja Ravi Varma\u2019s artwork was the top lot sold at Rs 30.88 crore\n<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n June 24, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n First Written Document on India\u2019s Colonisation Appears at Auction<\/a>\n \n\t\t\t
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A 1507 document describing Portuguese conquests is coming up for auction at Christie\u2019s<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n January 21, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Art Market<\/a><\/div>\n \u2018Yashoda and Krishna\u2019 Marks The Return of The Native To Top List at Auctions<\/a>\n \n\t\t\t
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Raja Ravi Varma's record-selling work brings Indian aesthetic to the top of the auction lists<\/p>\n <\/div>\n \t\t\t

\n theartsgazette<\/a><\/span>\n June 19, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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Reviews<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”]
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\n \n \"Uttam <\/a>\n \n
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Reviews<\/a><\/div>\n Mahanayak Uttam Kumar: An Actor Sans Frontiers<\/a>\n
\n Atri Mallick<\/a><\/span>\n September 19, 2026<\/span>\n <\/div>\n
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An exhibition in New Delhi marking the centenary of Mahanayak Uttam Kumar evokes nostalgia of the golden period of cinema in West Bengal<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n \"Latika <\/a>\n
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Reviews<\/a><\/div>\n Latika Katt\u2019s Final Act: A Masterstroke As Always<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n September 13, 2026<\/span>\n <\/div>\n
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The recently concluded show of Latika Katt\u2019s final works, \u2018Abandoned\u2019 at Threshold Gallery, presented powerful works by the late artist known for the gravitas and conviction of her sculptures<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Reviews<\/a><\/div>\n An Abstractionist\u2019s Ode to His Rich, Native Landscape<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n September 2, 2026<\/span>\n <\/div>\n
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Rafique Shah\u2019s ongoing solo brings focus on the wealth of abstractionist language emerging from Madhya Pradesh<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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\n \n \"Afzal <\/a>\n
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Reviews<\/a><\/div>\n Afzal Pathan: A Modern Master Who Deserved Better<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n August 26, 2026<\/span>\n <\/div>\n
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Afzal Pathan has remained an unheralded artist, whose brilliance should have dazzled the world in his own lifetime<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Reviews<\/a><\/div>\n The World View of Gond Pradhans<\/a>\n
\n V Jayakumar<\/a><\/span>\n June 21, 2026<\/span>\n <\/div>\n
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An ongoing exhibition of indigenous art from Madhya Pradesh brings focus on current trends in this centuries\u2019 old art<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Story<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fauthstorys%2F|title:authstorys”]
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Story<\/a><\/div>\n Substance & Drama Were Two Sides of the Same Coin for M. F. Husain<\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n June 11, 2026<\/span>\n <\/div>\n
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Even after his passing as during his lifetime, M. F. Husain remains India\u2019s most well-known artist. It was on June 9, 2011, that Husain passed away at the age of 97 in London, in exile, having been chastised out of India as a result of the controversy arising out of his contentious paintings of Hindu goddesses.<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Story<\/a><\/div>\n Tyeb Mehta Centennial Retrospective at KNMA<\/a>\n
\n V Jayakumar<\/a><\/span>\n January 24, 2026<\/span>\n <\/div>\n
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The retrospective assumes significance as the rise of Tyeb Mehta\u2019s artworks in the market heralded the birth of Indian art market itself two decades ago<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Around Town<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Faround-town%2F|title:Aroundtown”]
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\n \n \"Sujni <\/a>\n \n
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Around Town<\/a><\/div>\n New Delhi \/ Stitch: Morii: Contemporary Textiles<\/a>\n
\n theartsgazette<\/a><\/span>\n September 12, 2026<\/span>\n <\/div>\n
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Around Town<\/a><\/div>\n New Delhi \/ Sculpting Lineages: Women Across Generations<\/a>\n
\n theartsgazette<\/a><\/span>\n September 8, 2026<\/span>\n <\/div>\n
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\n \n \"Latitude <\/a>\n
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Around Town<\/a><\/div>\n New Delhi\/ Pradeep Thalawatta’s Solo at LATITUDE 28<\/a>\n
\n theartsgazette<\/a><\/span>\n September 7, 2026<\/span>\n <\/div>\n
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\n \n \"Shanthamani <\/a>\n
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Around Town<\/a><\/div>\n Hyderabad \/ Nothing Arrives Unchanged, at Kalakriti Art Gallery<\/a>\n
\n theartsgazette<\/a><\/span>\n September 6, 2026<\/span>\n <\/div>\n
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\n \n \"Latika <\/a>\n
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Around Town<\/a><\/div>\n New Delhi \/ Abandoned, Drawings and Sculptures by Latika Katt<\/a>\n
\n theartsgazette<\/a><\/span>\n September 6, 2026<\/span>\n <\/div>\n
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Books<\/h1>\n<\/div><\/div>[vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fbooks%2F|title:Books”]
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Books<\/a><\/div>\n What Exactly is Modern Indian Art?<\/small><\/a>\n
\n Archana Khare Ghose<\/a><\/span>\n August 9, 2026<\/span>\n <\/div>\n
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Yashodhara Dalmia's new book is a great repository to understand modern Indian art in a simple language<\/p>\n <\/div>\n <\/div>\n <\/div>\n

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Books<\/a><\/div>\n \u2018Knowing, Seeing, and Listening to Raza\u2019<\/a>\n \n\t\t\t
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Ashok Vajpeyi provides an insider's account of what it meant to be S. H. Raza, one of India's most important modern masters<\/p>\n <\/div>\n \t\t\t

\n V Jayakumar<\/a><\/span>\n June 21, 2026<\/span>\n <\/div>\n <\/div>\n <\/div> \n
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[vc_row el_class=”Home-sections”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fnews%2F|title:News”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Home-sections”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Fartmarket%2F|title:ArtMarket”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column][vc_btn title=”READ ALL” style=”custom” custom_text=”#666666″ shape=”square” i_align=”right” i_type=”material” i_icon_material=”vc-material vc-material-keyboard_tab” add_icon=”true” el_class=”read-button” link=”url:https%3A%2F%2Fwww.theartsgazette.com%2Findex.php%2Freviews%2F|title:Reviews”][vc_separator color=”custom” accent_color=”#e5ddcf”][vc_separator color=”custom” accent_color=”#e5ddcf”][\/vc_column][\/vc_row][vc_row el_class=”Review_row”][vc_column][vc_btn title=”READ ALL” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":40,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":2688,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/pages\/36\/revisions\/2688"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}