{"id":2413,"date":"2026-01-23T10:12:35","date_gmt":"2026-01-23T10:12:35","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2413"},"modified":"2026-01-24T10:24:50","modified_gmt":"2026-01-24T10:24:50","slug":"new-delhi-a-retrospective-of-jodhaiya-bai-baiga","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/01\/23\/new-delhi-a-retrospective-of-jodhaiya-bai-baiga\/","title":{"rendered":"New Delhi \/ A Retrospective of Jodhaiya Bai Baiga"},"content":{"rendered":"

[vc_row][vc_column]

What: Bloom at Dusk, Retrospective of Jodhaiya Bai Baiga<\/h4>\n

Where: Ojas Art, 1AQ, Near Qutub Minar, Mehrauli, New Delhi – 110030<\/h4>\n

When: January 23, 2026 to March 11, 2026<\/h4>\n
<\/div>\n

Curated by Minhazz Majumdar, this retrospective is a rare presentation in the city\u2019s art calendar as it brings focus on the lifetime\u2019s oeuvre of one of the most well-known indigenous artists, Jodhaiya Bai Baiga (1938-2024). According to the gallery, the exhibition seeks to foreground her contribution while ensuring that her artistic legacy, and those of her peers, are thoughtfully acknowledged and celebrated.<\/p>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n","protected":false},"author":1,"featured_media":2424,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":3,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"predecessor-version":[{"id":2426,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2413\/revisions\/2426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2424"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}