{"id":2427,"date":"2026-01-15T10:29:44","date_gmt":"2026-01-15T10:29:44","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2427"},"modified":"2026-01-24T10:30:19","modified_gmt":"2026-01-24T10:30:19","slug":"bengaluru-bharathesh-g-d-s-pain-corporation-of-india","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/01\/15\/bengaluru-bharathesh-g-d-s-pain-corporation-of-india\/","title":{"rendered":"Bengaluru \/ Bharathesh G. D.\u2019s Pain Corporation of India"},"content":{"rendered":"

[vc_row][vc_column]

What: Pain Corporation of India, a solo show by Bharathesh G. D.<\/h4>\n

Where: Gallery Sumukha, 24\/10, BTS Depot Road, Wilson Garden, Bengaluru – 560027.<\/h4>\n

When:\u00a0 January 15, 2026, to February 26, 2026.<\/h4>\n
<\/div>\n

Gallery Sumukha presents a solo show of the works of Bengaluru-based contemporary artist Bharathesh G. D., inquisitively titled \u2018Pain Corporation of India.\u2019 The artist examines the question of pain through a series of ideas and works that function as meaning-making machines\u2014only to turn against themselves. The works expose how belief is engineered, pain normalised, and dissent absorbed, deferred, and managed within visual culture.<\/p>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n","protected":false},"author":1,"featured_media":2428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2427"}],"version-history":[{"count":1,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2427\/revisions"}],"predecessor-version":[{"id":2429,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2427\/revisions\/2429"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2428"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}