{"id":2601,"date":"2026-06-23T15:26:11","date_gmt":"2026-06-23T15:26:11","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2601"},"modified":"2026-06-23T15:26:11","modified_gmt":"2026-06-23T15:26:11","slug":"new-delhi-afzal-pathans-solo-show","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/06\/23\/new-delhi-afzal-pathans-solo-show\/","title":{"rendered":"New Delhi \/ Afzal Pathan\u2019s Solo Show"},"content":{"rendered":"<p>[vc_row][vc_column]<h4>What: Solo exhibition of the works of Afzal Pathan<\/h4>\n<h4>Where: Shridharani Art Gallery, Triveni Kala Sangam, Tansen Marg, New Delhi<\/h4>\n<h4>When: June 30, 2026, to July 10, 2026<\/h4>\n<p>Curated by Akhilesh, this exhibition is presented by the Raza Foundation in collaboration with Triveni Kala Sangam. It brings spotlight on the works of Afzal Pathan (1936-2000), whose works are generally associated with a form of lyrical abstraction rooted in memory, landscape, and social experience rather than formalist abstraction alone. He is best remembered as a contemporary experimental artist.<\/p>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Indian art market\u2019s fascination for modern works of art produced in the Fifties and Sixties bring into focus the richness and depth of Indian art in that period<\/p>\n","protected":false},"author":2,"featured_media":2602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2601"}],"version-history":[{"count":1,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2601\/revisions"}],"predecessor-version":[{"id":2603,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2601\/revisions\/2603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2602"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}