{"id":2743,"date":"2026-09-06T19:37:41","date_gmt":"2026-09-06T19:37:41","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2743"},"modified":"2026-09-06T20:06:48","modified_gmt":"2026-09-06T20:06:48","slug":"new-delhi-abandoned-drawings-and-sculptures-by-latika-katt","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/09\/06\/new-delhi-abandoned-drawings-and-sculptures-by-latika-katt\/","title":{"rendered":"New Delhi \/ Abandoned, Drawings and Sculptures by Latika Katt"},"content":{"rendered":"

[vc_row][vc_column]

What: Abandoned, Drawings and Sculptures by Latika Katt<\/h4>\n

Where: Threshold Art Gallery, C-221, Sarvodaya Enclave, New Delhi<\/h4>\n

When: July 29, 2026 to September 12, 2026, Mon – Sat, 11 am to 7 pm<\/h4>\n
\n

Born in 1948, Latika Katt was one of the few girls to study at Doon School, and also was one of the earliest women of India to train as a sculptor. A student of the human form so exacting, she studied the dead in order to understand the living face. This exhibition showcases the works the artist made during the last few of years of her life; she passed away on January 25, 2025.<\/p>\n<\/div>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":2744,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2743"}],"version-history":[{"count":1,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2743\/revisions"}],"predecessor-version":[{"id":2745,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2743\/revisions\/2745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2744"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}