{"id":2746,"date":"2026-09-06T20:21:06","date_gmt":"2026-09-06T20:21:06","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2746"},"modified":"2026-09-06T20:21:27","modified_gmt":"2026-09-06T20:21:27","slug":"hyderabad-nothing-arrives-unchanged-at-kalakriti-art-gallery","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/09\/06\/hyderabad-nothing-arrives-unchanged-at-kalakriti-art-gallery\/","title":{"rendered":"Hyderabad \/ Nothing Arrives Unchanged, at Kalakriti Art Gallery"},"content":{"rendered":"<p>[vc_row][vc_column]<h4>What: Nothing Arrives Unchanged, at group show curated by Satyajit Dave<\/h4>\n<h4>Where: Kalakriti Art Gallery, Plot No. 8-2-465\/1, Road No. 4, Banjara Hills, Hyderabad<\/h4>\n<h4>When: August 27, 2026 to October 4, 2026, 11 am to 7 pm<\/h4>\n<div class=\"show-txt-in\">\n<p>This group exhibition, &#8216;Nothing Arrives Unchanged&#8217;, is curated by Satyajit Dave, and brings together artworks by contemporary artists Arunkumar H. G., Asim Waqif, Guruvinayak Singh Budhwar, Pooja Iranna, Rakesh Patel, Salik Ansari, Shanthamani Muddaiah, Shweta Mansingka, and Tanmay Santra. The title explores the finality of arrival, which is never actually, just as an artwork is never truly finished. Materials or ideas that go into the work are always moving from one stage to the next, carrying traces of the process and remaining in a constant state of evolution right till the end.<\/p>\n<\/div>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":2747,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2746"}],"version-history":[{"count":1,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2746\/revisions"}],"predecessor-version":[{"id":2748,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2746\/revisions\/2748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2747"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}