{"id":2761,"date":"2026-09-08T17:28:38","date_gmt":"2026-09-08T17:28:38","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2761"},"modified":"2026-09-08T17:39:50","modified_gmt":"2026-09-08T17:39:50","slug":"new-delhi-sculpting-lineages-women-across-generations","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/09\/08\/new-delhi-sculpting-lineages-women-across-generations\/","title":{"rendered":"New Delhi \/ Sculpting Lineages: Women Across Generations"},"content":{"rendered":"<p>[vc_row][vc_column]<div dir=\"auto\"><strong>What<\/strong>: Sculpting Lineages: Women Across Generations<\/div>\n<div dir=\"auto\"><strong>Where<\/strong>: Gallery Espace, New Friends Colony, New Delhi<\/div>\n<div dir=\"auto\"><strong>When<\/strong>: August 22 \u2013 September 26, 2026<\/div>\n<p dir=\"auto\">Gallery Espace presents Sculpting Lineages: Women Across Generations, curated by Nainvi Vora, tracing nearly seven decades of Indian sculpture through the practices of Ira Choudhuri, Latika Katt, Shambhavi, Sojwal Samant, Radhika Agarwala and Poojan Gupta. The exhibition proposes an alternative genealogy of Indian sculpture, foregrounding women as central participants in its evolution rather than exceptions to a predominantly male history. Across generations, sculptural practice expands from ceramic and bronze forms to assemblage, installation and material experimentation. Yet persistent concerns around the body, materiality and memory continue to connect these diverse practices. From Katt\u2019s bronze portraiture and Shambhavi\u2019s monumentalised everyday objects to Agarwala\u2019s ecological forms and Gupta\u2019s transformation of pharmaceutical waste, the exhibition reveals how women artists have continually expanded the vocabulary of Indian sculpture.<\/p>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":2768,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2761"}],"version-history":[{"count":2,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2761\/revisions"}],"predecessor-version":[{"id":2770,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2761\/revisions\/2770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2768"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}