{"id":2786,"date":"2026-09-12T10:21:55","date_gmt":"2026-09-12T10:21:55","guid":{"rendered":"https:\/\/www.theartsgazette.com\/?p=2786"},"modified":"2026-09-12T10:22:37","modified_gmt":"2026-09-12T10:22:37","slug":"new-delhi-stitch-morii-contemporary-textiles","status":"publish","type":"post","link":"https:\/\/www.theartsgazette.com\/index.php\/2026\/09\/12\/new-delhi-stitch-morii-contemporary-textiles\/","title":{"rendered":"New Delhi \/ Stitch: Morii: Contemporary Textiles"},"content":{"rendered":"<p>[vc_row][vc_column]<h4>What: Stitch: Morii: Contemporary Textiles, a Group Show at Gallery Art Motif<\/h4>\n<h4>Where: Gallery Art Motif, A1-178, 4th Floor, Safdarjung Enclave, New Delhi<\/h4>\n<h4>When: September 5, 2026 to October 17, 2026, Mon &#8211; Sat, 10 am to 6 pm<\/h4>\n<div class=\"show-txt-in\">\n<p>This group exhibition features contemporary textile artworks that are born as a result of a collaboration between Morii Design, a textile design studio in Gandhinagar (Gujarat) and over 150 women artisans across remote villages in Kutch, Bengal, and Bihar. The design studio, set up by Brinda Dudhat and Kabir Yadav in 2019, attempts to bridge tradition and modernity by blending timeless techniques with contemporary aesthetics. The name of the design studio is derived from the Japanese word &#8216;Mori&#8217;, meaning forest.<\/p>\n<\/div>\n[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":1,"featured_media":2787,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[51],"class_list":["post-2786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-around-town","tag-around-town"],"_links":{"self":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/comments?post=2786"}],"version-history":[{"count":1,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2786\/revisions"}],"predecessor-version":[{"id":2788,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/posts\/2786\/revisions\/2788"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media\/2787"}],"wp:attachment":[{"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/media?parent=2786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/categories?post=2786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theartsgazette.com\/index.php\/wp-json\/wp\/v2\/tags?post=2786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}